Trigger by Slate Digital is a cross-platform (Mac/PC) drum-replacement plug-in supporting VST, RTAS and AU formats. It offers dual operating modes: Live for near-zero latency, real-time performance triggering; and Accurate for studio use, which offers 11 ms of sample latency.
Slate Digital Trigger Drum Replacer Movies
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Altering the timbre of your drum kit is one of the most dramatic changes you can make during a mix. To this end, EQ and dynamics processing (gating, expansion, compression, transient-shaping) have been used for many years, but increasingly, engineers are also 'triggering' drum samples to replace or augment recorded drum parts. But why resort to such a radical approach? After all, in these pages we regularly preach the benefits of getting everything right at the recording stage.
At the most basic level, then, you'll need a clean, close-miked, multitrack drum recording. If you have a close-miked kick recording, unless you've recorded very badly, it's pretty easy to spot each hit in your DAW; even snare leakage is likely to be much lower in level than the kick. But it's not always that easy: a tom recording, for instance, may include significant leakage from the snare or cymbals. This makes it trickier to detect each hit. It's usually possible to duplicate the part and EQ it to isolate the desired hits, and then feed that to your trigger software, but that can sometimes be more problematic than it sounds, and even where it's easy it can be time-consuming.
The triggers themselves are mounted on the shells of the kit. They have a transducer making contact with the skin of the drum, so that a fairly soulless-sounding click is output whenever the drum is hit, and the remainder of the time the trigger's output will be pretty much silent. The resulting signal can therefore be recorded into your DAW and used to trigger samples or drive sound modules or virtual instruments.
Andy Sneap provides 'Testament' that drum replacement has become the norm in rock and metal.As well as solving our trigger-signal problem (ie. you now have your transient with no leakage), recording a trigger signal can open up some other useful possibilities. For example, if you're aiming for an open and real sound on your toms and don't want to hard-edit them, but do want to gate them, you can bus the trigger tracks to the key inputs on noise gates inserted on the tom channels. The gates will open and close in accordance with the triggers, rather than the tom track that may have snare leakage.
If your aim is to reinforce the sound of the kit, even though you're using triggers the usual rules for drum recording still apply: you should still set up the kit, tune it and mic it with the diligence you'd apply to any other drum recording; you're still going for a clean recording, with as much separation as you can get between instruments on the close mics.
Remember that you don't have to limit yourself to drum samples, either: depending on the track, anything percussive might give you the added dimension you're looking for; or if it's just depth and fullness you need, it may be that a triggered synth works well. (You do need to be a little careful with sub-bass synths on kicks, though, as they invariably eat into your mix headroom if mixed in too high.)
But you're looking for a more convenient, automatic approach, right? So let's consider how best to use modern drum-triggering software (some of the best of which is described in the box earlier in this article). All the leading drum-trigger plug-ins allow you to load a selection of drum strikes at various different velocities, and to assign them to different velocity groups. The user has control of thresholds for the level or the transients (or both), to determine when each bank of samples comes into play after the software detects the transient. You also have the option of how much to blend the sample with the original, from subtle reinforcement to total replacement.
There are two basic approaches taken by drum replacement software. The first is a real-time trigger: the software detects audio as it is being played (either with 'lookahead' for more accuracy, or in a 'live' mode). The second is an off-line system, whereby the sound is recorded into the plug-in and then analysed, so that you can tweak thresholds and other detection parameters in minute detail. Of course, some of the best software, such as TL Drum Rehab, offers you the option of either approach. However, it's often possible to automate thresholds on real time plug-ins, which can make them almost as flexible.
Two common problems are snare rolls or flams and replacing hi-hats, particularly when the drummer switches between open and closed hi-hats. For the former, if you have difficulty setting the right transient detection thresholds, you might find that you can achieve a more convincing result either by automating the trigger plug-in's input level or multing the drum source out to a separate audio track, chopping it and automating its level before feeding it into your plug-in. Unfortunately, there's really no substitute here for hard work and effort.
While that article focuses on the many ways a trigger can be used to expand your drumming and creativity, I felt remiss not to mention it here. After all, it mentions three important uses of samples that we will focus on in this article:
Not long after that, drum machine brains were also used. They had TRS (jack) inputs (for the trigger pads) and engineers found out they could aggressively process the drums and feed them into those brains to trigger the drum machines for enhancement or augmentation (and even replacement sometimes).
But you performed for the entire album using your hands on your desk, and your feet on the floor. You had a microphone for each hand and your feet and you are using those short transient sounds to trigger drum samples. You literally skipped having to get a drum kit and a room that sounds good and skipped having to rig up a complex setup to get your performance recorded.
You can use your digital piano as a MIDI controller, allowing you to play in notes as you would a piano piece, and have your computer output this as other instruments (such as a drum kit) via the use of a VSTi.
Beatmakers are used to work with drum machines, triggers, and other devices or software that produces a constant and steady beat for your track. To get a grip on that segment, we decided to list the best drum replacer plugins trending in 2023, so you can get ahold of the best new options in the market.
The effectiveness of every MeldaProduction product is great, in either virtual instrument or audio tool format. Their equalizer is excellent for particular reasons, for instance, and MDrumReplacer excels at being one of the best drum replacer plugins for its reasons. The possible configurations are similar to what you expect from drum editing software, but the main difference with MDrumReplacer is the quality behind its detection algorithms, each delivering a high-end response.
Drums are essential to any particular piece of music, as they offer the main basis for the overall rhythm. Usually, the recorded drum part can be improved or enhanced, which is where drum replacer plugins act. Drumagog Drum Replacer is another option, but it shines best when preserving the original dynamics in any sample further added.
A simple and easy to use interface with a drag-and-drop system, makes it easy to augment or replace drum shells from the huge library of included samples (taken from award-winning Steven Slate Drums sample packs), to circumvent the problems that can occur when recording acoustic drums. Eliminating problems such as poorly tuned shells or an unsatisfactory sounding room ambience, Steven Slate TRIGGER 2 Platinum lets you seamlessly trigger up to eight, multi-velocity, stereo samples simultanesouly, letting you blend direct, overhead and room samples together for a customised sound.
Using proprietary transient detection technology, regardless of bleed levels or background noise within your audio channel, TRIGGER 2 will intelligently detect any drum hit including even the softest of ghost notes accurately and avoid any false triggering. Loaded with a selection of world-class samples from the award-winning Steven Slate Drums sample packs, there's never been an easier way to unlock the keys to professional sounding drums than with TRIGGER 2.
TRIGGER 2 allows you to layer up to a maximum of eight, multi-velocity, stereo samples directly in the mixer window without the need for any external MIDI triggering or instruments. With this huge number of channels, you can load in close microphones, overhead microphones and room microphones into individual channels to achieve the most realistic drum sounds possible. To load in the samples within your mixer window, an intuitive Browser menu lets you store all of the included samples that come pre-loaded with TRIGGER 2 Platinum and any external samples you may have collected or crafted yourself. Loading them into a channel is as simple as dragging and dropping your chosen sample to a channel.
Specifically designed for drums, the gate section within TRIGGER 2 Platinum, Digital Delivery is revered by audio professionals for its ability to clean up drum tracks with ease, in a highly musical way that makes triggering samples through the plug-in a breeze. Featuring an attack, hold and release control, you have complete control over the envelope of your signal for a natural feel and sound.
Using proprietary leakage suppression technology, TRIGGER 2 intelligently ignores any leakage within your track, allowing you to capture even the lowest velocity samples without mis-triggering from other pieces of your drum kit. Even if your track has a substantial amount of bleed, you will still trigger the right notes every time! 2ff7e9595c
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